The Thief of Bagdad (1940)

The 1940 version of 'The Thief of Bagdad' is a loose remake of the 1924 film of the same name.  Arguably, this version is more well known and influential.  Ray Harryhausen sited it as an influence for his Sinbad movies, and if you watch 'Thief of Bagdad' back to back with Disney's 'Aladdin' you'll notice more than a few similarities.  It was quite influential technically as well as it was the first color film to use blue screen effects.  If you want to know more about the evolution of matte effects in film this video essay is worth a look.

'Thief of Bagdad' has a unique narrative structure as well.  We're thrown into the middle of the story and brought up to speed with a framing device.  Of all the Arabian Nights style movies I've seen this one feels the most like a 'Scheherazade is telling us a story' type deal.  We're introduced to a man who likes to wear long black robes (Three guesses who the villain of this picture is!) a beautiful woman in an unending sleep, and a blind beggar who's only companion is his unusually intelligent seeing eye dog.  The blind man is taken to the house where the beautiful woman is sleeping and tells an incredible story to a group of harem girls.  He was not always a blind beggar but was once King Ahmed, ruler of all Bagdad!

Well, the puppet ruler at any-rate.  The Grand Vizier, Jaffar, is the one pulling all the strings, and he's a bit of a tyrant.  Ahmed objects to the way Jaffar is running his kingdom.  Jaffar insists that he is just in executing commoners for petty crimes.  Commoners are a treacherous lot who must be kept in check by fear.  Jaffar advises Ahmed to disguise himself as a commoner and walk among his people so he can see for himself how vile his people are.  Ahmed does this and after about two minutes of lingering with the crowds he learns that his people are rather upset with the leadership.  They even have a prophecy - some mumbo jumbo about the lowest of the low soaring among the clouds and the arrow of justice - regarding the downfall of the corrupt ruler.  About this time Jaffar takes his opportunity to seize control of the kingdom for good, and orders his guards to throw Ahmed in prison to face execution in the morning.

In prison Ahmed meets Abu, the titular Thief of Bagdad, and the two of them decide that escaping sounds like more fun than execution in the morning, so they do so, steal a boat, and sail off to the kingdom of Basra.  It is here that Ahmed meets the Princess, who seems to be named 'the Princess' and they fall in love at first sight.  But Jaffar also comes to Basra, with the intention of making the Princess his bride.  The Sultan of Basra is obsessed with clockwork mechanical toys, so Jaffar offers him a mechanical flying horse in exchange for his daughter.  The sultan sees this as a fair trade, and the Princess, horrified at the thought of marrying obviously-the-villian disguises herself and escapes.

Ahmed returns to the garden where he and Princess have been meeting in secret, but he and Abu are captured by the palace guards.  Brought before the Sultan and Jaffar, Ahmed and Jaffar recognize each other.  Ahmed challenges Jaffar to a duel, Jaffar uses magic to strike him blind and transform Abu into a dog.  The condition of the curse is that it can only be broken when Jaffar 'Holds the Princess in his arms.'

Which is about where we came in.  After escaping from Basra the Princess was captured by slavers and then bought by Jaffar, but she fell into an unending sleep, in which she calls out for Ahmed.  Jaffar reasons that Ahmed is the only one who can wake her, and after he does so, she learns of his blindness.  After being told of a doctor who can cure Ahmed she naively allows herself to be taken to a ship where the doctor supposedly lives.  That 'Doctor' turns out to be Jaffar, and once the ship is underway he tells her that the only way to cure Ahmed is to let him embrace her.  As soon as Ahmed's sight is restored he and Abu take off after Jaffar's ship, but Jaffar summons a magical storm to wreck their boat.

At this point the romance between Ahmed and Princess is really starting to remind me of an Edgar Rice Burroughs pulp novel.  Two young lovers constantly separated by the trickery and betrayal of a dastardly villain who wants to spirit the heroine away and marry her himself.  It's like something out of 'A Princess of Mars'.

Ahmed and Adu are somehow separated in the storm, and while the story was most definitely focused on Ahmed and Princess up until now, the second half of the movie becomes 'The Abu Show! ...Staring Abu!'  Personally, I find the first half of the movie more interesting, but I suppose the movie IS called 'The Thief of Bagdad,' not 'The Adventures of Ahmed and Princess'.  A Genie bottle washes onto the shore of the deserted island Abu is stranded on, and when he opens it he unleashes a powerful force to be reckoned with.  This isn't one of your friendly Disney style Genies.  This is a violent and unpredictable being who would rather squish you flat than offer to grant you wishes.

But Abu takes a page from Arabian Nights 'The Fisherman and the Genie' and tricks the genie into going back into the bottle.  After Abu threatens to throw the bottle back into the sea the genie offers Abu three wishes in exchange for his freedom.  After squandering his first wish, Abu asks the Genie to take him to Ahmed.  The genie's power has limitations so he sends Abu on a side quest to find a magic crystal that the owner can look into and see what he desires most, so they can find Ahmed.  To get this crystal Abu must scale an enormous statue and fight a giant spider.

After Abu finds the crystal the Genie reunites Ahmed and Abu, and Ahmed uses the crystal to see the Princess.  Jaffar has just used a magic rose 'The Blue Rose of Forgetfulness' to give Princess amnesia.  She's forgotten her love for Ahmed, her own name if she ever had one, and even where she left her car keys!  Naturally she believes Jaffar when he tells her she's madly in love with him.

Abu accidentally his last wish to send Ahmed back to Bagdad, and is himself stranded by the newly freed Genie.  Ahmed managed to help Princess remember where she left her keys, but after a brief sword-fight with the palace guards he is captured by Jaffar.  Jaffar orders that the two young lovers be chained to opposite walls in the dungeon and executed in the morning.  Princess says that 'At least they are together at last' as they look at each other longingly from their opposite walls.  If you ask me, Princess has a funny definition of the word 'together'.

Abu is watching all this through the magic crystal, and frustrated that he can't do anything to help, he smashes the crystal.  But faster than you can say 'Deus Ex Machina' the camera spins around a bunch and Abu is transported to another realm where this old guy gives him a crossbow and a magic carpet and more or less says 'Have Fun Storming the Castle!'  So Abu flies off to stop the execution.  He manages to free Ahmed, but Jaffar tries to kidnap Princess and escape on the flying mechanical horse.  Abu shoots him in the face with his crossbow, fulfilling that prophecy from the beginning that you'd probably forgotten about by now about the lowest of the low and the arrow of justice.

So, the guy gets the girl, and Abu flies off on the Magic Carpet to have further adventures.  If you're a sucker for the Arabian Nights style fairy tale - like I obviously am - I definitely recommend you give this one a watch.

- Geekboy.

Tarzan Triumphs (1943)

So I just recently watched my first ever Johnny Wiesmuller Tarzan movie.  'Tarzan Triumphs' features a lot of firsts.  Not only is this the first Wiesmuller I watched, but it's the first in the series to feature the Nazis as villains, and the first in the series in which Jane is absent.

Although Jane is mentioned, she is replaced by a Jungle Princess named Zandra, who is played by Frances Gifford of 'Jungle Girl' fame.  Gifford is a big part of why I wanted to watch 'Tarzan Triumphs'.

Overall, this movie was much higher quality than I was expecting.  There's not a single gorilla costume in this picture.  Not that I have anything against people in gorilla costumes - quite the opposite in fact.  But 'Tarzan Triumphs' features trained monkeys, an elephant, crocodiles...

This clearly had a bit of a budget.  The quality makes it clear why the Johnny Wiesmuller series was so popular and long running.  And it's more than just the budget.  Although it does have a lot of the cheese you would expect a Tarzan movie to have - Tarzan speaking in one to three word sentences, the fact that Tarzan
and Jane named their adopted son 'Boy' and Jane was okay with this - the story is pretty well crafted.

The movie starts with Boy, who has wandered off into the jungle on his own contrary to Tarzan's instructions.  He finds a cliff overlooking the lost city of Palandrya.  Being the accident prone jungle boy that he is, Boy slips off the edge and needs to be rescued by Princess Zandra who happens to be passing through.  But the rock ledge they're standing on starts to give way, and they are both saved by Tarzan. 

 After this casual chance meeting that will drive the entire rest of the movie, Tarzan and Boy return to their tree house.  Tarzan had been going into town to get a letter from Jane.  She writes of the Nazis in war torn Europe, establishing the historical context, and explain Jane's absence.  Two birds, one stone.  Cheeta the monkey steals some fruit from the other monkeys, but Tarzan makes him give it back.  This seemingly cutesy throwaway moment is also important later.  Pretty solid beginning that shows the writers know what they're doing.

A group of Nazis parachute into the jungle, planning to invade Zandra's lost jungle city so they enslave the natives and steal all of their natural resources.  However, one of the Nazis is separated from the others.  He's the one carrying the radio, which the Nazis need to communicate with Germany.  He lands in a crocodile infested lake near Tarzan's tree house.

Tarzan rescues the Nazi, who manages to convince Tarzan that he's a lost explorer.  Cheeta is fascinated by the radio, and steals a vital part of the transmitter.

Meanwhile, the natives welcome the Nazis with open arms.  The leader of the Nazi expedition had been to the lost city before, and managed to convince the natives that he was a friend.  This parallels the Nazi now living in Tarzan's camp.  Personally, I thing the story would be more compelling if the Nazi in Tarzan's camp turned out to be sympathetic because Tarzan saved his life, but that's not the case.

Turns out the natives were a little too trusting.  Zandra's father
and brother are murdered, and in true Edgar Rice Burroughs tradition, the leader of the Nazis wants to make Zandra his bride.  She manages to escape, but she is pursued.

Meanwhile, the Nazi in Tarzan's camp is pretty fed up with the way Cheeta keeps messing with the radio, and he chases after the monkey with his gun.  Boy isn't too happy about this, as Cheeta is his pet.  Long story short, the bad guy ends up falling off a nearby cliff.

Tarzan discovers Zandra's distress and saves her from the pursuing Nazis.  She tries to talk him into saving her people, but he wants nothing of war and the world of men.  Boy is convinced that if Zandra - and this bit is kind of weird and creepy - acts and dresses more like Jane, Tarzan would be willing to help.  This awkward part of the movie makes it look like A: Tarzan is cheating on Jane in her absence and B: Boy thinks his adoptive mother is easily replaceable.  Boy's scheme fails to work however, and Zandra decides to return to her own people.  Tarzan tries to stop her because he believes it's too dangerous.

While all this is going on, the Nazis are searching for their radio.  They find Tarzan's camp and the radio, but the part Cheeta stole is still missing.  They interrogate Boy, and decide to take him back to the lost city.  Tarzan chases after them, swinging through the trees.  They shoot at him and he falls.  The Nazis search for his body, but the monkeys from the beginning cover him with leaves.  Zandra finds him and nurses him back to health.  Boy being captured finally lights a fire under Tarzan, and he and Zandra go to the lost city to fight some Nazis.

I thought this was a really good story.  That said, far to much of the movie is devoted to the monkey Cheeta doing something cute and/or funny, while Tarzan and Boy point and laugh.  This reminds me a bit of the later 'Thin Man' movies, which contained a good bit of filler featuring Nick and Nora's dog Asta.  Also I was a little disappointed by Princess Zandra.  She only gets a few action scenes - particularly compared to her alter ego Nyoka.  Tarzan is pretty lousy as a heroic figure.  I know the heroic journey requires the protagonist to first reject the call to adventure, but aside from rescuing the Nazi paratrooper from the crocodiles and then saving Zandra from the Nazis, Tarzan doesn't start being heroic until the last 20 minutes.  I know extreme anti social tendencies and self imposed isolation are a part of what make this version of Tarzan tick, but he looks a bit like a jerk for not helping Zandra save her city from the Nazis faster.

I read somewhere that this was the most violent of all the Johnny Wiesmuller Tarzan movies.  I found this one part to be a little shocking: In the climax Boy picks up a gun and shoots one of the Nazis.  I know this movie was made during WWII, so the mindset was one of 'Everyone must do their part for the war effort,' but it's a little disturbing to see an 8 to 12 year old shoot somebody without showing any signs of remorse.  Granted, any jury would rule this as self defense, but it's still kind of jarring.  I guess you 'had to be there' living through the war for this storytelling decision to feel appropriate.

'Tarzan Triumphs' is a pretty solid jungle adventure movie.  I can see now why the classic Tarzan pictures are considered classics, and I could definitely see myself watching more.

Jungle Girl (1941)

The 1941 cliffhanger serial Jungle Girl is one of the best serials ever made.

It's got everything.  Evil identical twins?  Check.  Booby-Trap filled Diamond Mines?  Check.  An evil Witch Doctor?  Check.  Human Sacrifice?  Check.  Guy in a Gorilla costume?  Check.  A pretty Heroine who swings around on vines?  You betcha.


This was my first serial.  Sort of.

I had heard the term cliffhanger before.  Read that they inspired Star Wars and Indiana Jones.  But I had no idea what they were.  Reading a Flash Gordon comic by Al Williamson, I read that one of his greatest influences was something called "Flash Gordon Conquers the Universe."  I decided to look it up on Youtube.  Turns out it wasn't a movie, but an early example of a mini series.  It didn't hold my interest.  I was new to the whole retro thing.

But something called "Jungle Girl" appeared on my "Recommended for you."  I decided to check it out.

Youtube only had chapters 1, 9, and 10.  ("Chapter" is cliffhanger speak for "Episode")
The ending of chapter 9 had me hooked.  Our three daring heroes were trapped in a tiny chamber by the evil witch doctor, who had pulled a secret lever, and now the floor was disappearing into the wall, and a gaping pit was opening under the feet of our imperiled protagonists...

Chapter 10 ended with our heroine, Nyoka, caught snooping around the bad guy's hideout.  She's left tied to a pole, just as the guy-in-the-gorilla-costume escapes from his cage.  He is coming towards her, intent on tearing the flesh from her bones (That's what guys in gorilla costumes do. Everybody knows that).


And then it just cut off!  Not only was I thrown into the middle, but I had no idea what would happen next!  As I was pretty green when it came to serials, I didn't know everything would turn out okay.

I became pretty obsessed by serials after that.  I watched every one I could find.  I don't know if that would have happened if Jungle Girl hadn't left me cliffhung.

Eventually I tracked down Jungle Girl on DVD.  Sort of.  My copy was defective.  The first 10 chapters played fine.  11 through 15 were missing.  I went through 3 DVDs before I found out how Nyoka escaped from the guy in the gorilla suit!

It was worth all the effort and frustration in the end.  Jungle Girl is one of the best serials out there.  Really solid story telling you won't find in other serials.

For example, in an early chapter, Nyoka, Jack, and Curly are trapped in an oil swamp.  The natives are chasing them and throwing flame tipped spears.  The oil catches fire and our gang is cut off from the shore.  How will they ever escape?  Find out at this theater next week!

Later on, the bad guys sweet talk the natives into stealing the fuel for the heroes airplane so they can't leave the valley.  Our heroes catch the natives in the act, and pursue.  They have a showdown at the cliffs, and in the fight, the cans of fuel catch fire and explode!  Avalanche!

So our heroes decide to refine the oil from the swamp, and build a refinery using bamboo and coconuts.    After a showdown in the refinery, Nyoka is in peril again, as she hangs above a vat of the boiling oil...

That one plot thread effectively keeps Nyoka and the Gang from leaving the valley, and leads to at least 3 chapter endings.  It's rare that you see that much foresight and planning in a serial!

People who complain about a lack of good action roles for women in Golden Age Hollywood really should watch some of these old cliffhangers.  Yes, by technical definition Nyoka is a "Damsel in Distress."  But more often than not, she's the one leading the action.  And in a good serial every main character spends some time in peril.  Jack is also a "damsel" in several chapters.  Even comic relief Curly spends some time in jeopardy.  And Kimbu-the-Annoying-Jungle-Kid is a total damsel in distress.


Use of a child actor is one of the weak points of this serial.  The other weakness is the way Shamba the Witch Doctor is forgotten towards the end of the serial.

Every chapter ending involving the Diamond Temple is terrific.  The first chapter has a flooding tunnel that is visually mirrored in 'Indiana Jones and the Temple of Doom'.  There is a big sacrificial alter it the shape of a lion's head.  The victim is strapped down to the lion's moving jaw and then lifted up to the roaring flames.  There's a big bamboo-and-coconut conveyor belt that leads to a big rock crusher that the natives use to mine the diamonds.

I get a kick out of the way, if our heroes need to sneak into the back entrance of the mines, they lower a vine from the cliff-top and climb down to a secret tunnel.  They toss the same vine down several times over the course of the Chapter-play.  What I want to know is, who's the Joker who keeps putting the vine back where it was?

Overall, this is a great serial.  Likable, if sometimes a bit wooden, characters.  Great chapter endings.  A story that holds together really well.

If you like Indiana Jones, Tarzan, or King Solomon's Mines, give this a watch.  It should be right up your alley.