Sinbad and the Eye of the Tiger (1977)

'Sinbad and the Eye of the Tiger' is the final installment of Ray Harryhausen and Charles H. Shneer's Sinbad trilogy.  If they had made a fourth movie I bet the title would have been 'Sinbad and the Thrill of the Fight.'  'Eye of the Tiger' didn't do as well as the previous two installments, possibly because it features less impressive monster fights, but also because it had unexpected competition from a certain little indie space adventure called 'Star Wars' that was released the same year.

'Eye of the Tiger' is a fun movie with a story that holds together pretty well, but I doubt any fan of the series would call it their favorite installment.  It's great as an adventure movie...but as a Sinbad movie?  Not quite so much.  Only the first third feels like an Arabian Nights inspired story.  The other movies had monsters like the Cyclops, the two headed Roc, and a six armed Indian idol.  This time around Sinbad faces Bug People, a giant Walrus, and a Sabre Tooth Tiger.  The previous Sinbad movies had exotic locals evocative of the far east.  This time around they're searching for the mythic land of Hyperborea in the Arctic.  And while there is an evil Sorceress, there's a much bigger emphasis on science and alchemy then there is on magic.

The movie starts with a coronation.  Prince Kassim, brother of this incarnation of Sinbad's love interest Princess Farrah, is being crowned Caliph.  But the ceremony is interrupted when their evil stepmother Zenobia places a curse on the prince.  Turns out she's a Sorceress in her spare time - which should be obvious because she wears all black just like all evil Sorcerers do - and she wants her son Rafi to rein instead of the rightful heir.

We switch to Sinbad, who is coming in to port to see his Gal Pal, but is surprised to find that the city gates are locked and the kingdom is under curfew.  A 'friendly merchant' (actually Rafi in disguise) tells Sinbad that the city is under quarantine and offers to let him stay in his camp until the gates open.  He serves Sinbad and his men poisoned wine, but Sinbad realizes that it's a trap.  Zenobia shows up and summons three Bug People to finish Sinbad off.  Okay, apparently they are supposed to be Ghouls, which ARE from Arabian mythology, but the movie never comes out and says that, and I think they look like Bug People. 

So Sinbad escapes from the Bug People, and meets up with Princess Farrah who sneaked out of the city to see him.  She warns him of Zenobia's treachery.  Her spell transformed Prince Kassim into a Baboon, and if they don't reverse the transformation within a certain amount of time he: A). Can't be crowned Caliph, and: B). Will be stuck in a Baboon body forever.  So our heroes seek out the fabled Greek alchemist Melanthius to see if his powers can reverse the transformation.  One think I feel this movie actually does better than the other two Sinbad movies is the romantic relationship between Sinbad and Farrah.  For one thing Farrah is a more rounded character.  There's more to her than 'Being in love with Sinbad'.  Between her concerns for her brother and her relationship Zenobia she has a lot of emotional stake in this movie.


Zenobia catches wind of Sinbad's Voyage and she and her son build a clockwork Minotaur than they dub 'the Minoton' to help stop our heroes.  As far as Monsters go, the Minoton really should have a talk with his agent.  He has a brief encounter with the palace guards, but for the rest of the movie he's a glorified galley slave who spends most of his time rowing Zenobia's boat.  He's a walking wasted opportunity for a good monster fight.

So after sailing through a thick fog, our heroes land on the island where they hope to find Melanthius.  I recently heard that this film actually had the highest budget of all of the Sinbad movies, which surprises me, because in these scenes it's painfully obvious that our heroes are superimposed over the background.  The other movies look like they're filmed on location, but this one uses very blatant greenscreen effects that haven't aged well at all.  After a brief attack from the island locals, our band of heroes are met by Dione, who is the daughter of Melanthius.  Here's a bit of trivia I found interesting: Dione, played by a Taryn Power, is apparently the real life daughter of actor Tyrone Power who stared in a bunch of Swashbuckler and Pirate movies in the 1940s.

Melanthius is stumped as to how to reverse Prince Kassim's transformation, but agrees to try and help.  Dione takes sympathy on and Kassim, and the two form a bond.  Meanwhile Zenobia and Rafi are delayed as their ship is damaged when they try to trace Sinbad's footsteps through the fog.  Melanthius reveals some sort of Alchemy Mumbo Jumbo about how an ancient civilization in Hyperborea harnessed the power four elements and the Aurora Borealis, and that by going to an ancient Shrine of the Arimaspi they can cure Kassim.

So they set sail for Hyperborea.  Zenobia uses her powers to transform herself into a seagull, sneaks aboard Sinbad's ship, and changes back into a six inch version of herself so she can spy.  She's detected and captured by Kassim, and Melanthius puts her in a glass jar for questioning.  He deduces that she uses a vial of fluid that she keeps around her neck to transform.  Thinking he can use this fluid to cure Kassim, he tries it out on bee.  The bee grows to the size of a large watermelon, and starts chasing Melanthius around the cabin.  In the chaos Melanthius knocks over the jar holding Zenobia prisoner.  She transforms back into a seagull and escapes, but not before taking a peak at the map leading to Hyperborea.  Unfortunately, she doesn't have quite enough fluid to change 100% back into her human form.  Zenobia will be spending most of the rest of our story with one webbed foot.

So our heroes reach this ice tunnel that will take them right to Hyperborea, but their ship is too big to take the shortcut.  So they build a sledge and continue their journey over the ice flows.  And it's here that they meet up with that aforementioned Walrus, and we get our second real monster fight of the movie (The giant bee doesn't count in my opinion).  Sigh.  Like I said, the Minoton really needs to have a talk with his agent.

Meanwhile Zenobia and Rafi find the tunnel, and their ship is just the exact right size to go through, because life isn't fair sometimes.  So, our villain's get to take the shortcut to the shrine.  While that's going on, our heroes reach the semi-tropical interior of Hyperborea.  They run afoul of a giant caveman type creature, but it turns out that he's just as afraid of them as they are of him.  Because, we apparently REALLY DON'T GET TO HAVE MONSTER FIGHTS IN THIS MOVIE.  They communicate with the creature, whom they name 'Trog' - short for the Troglodyte - using pictograph line drawing in the sand, and he leads them to the Shrine of the Arimaspi. 

But Zenobia found the shrine first, she uses the Minoton to force the entrance open.  He's crushed by a rock in the process, and Zenobia heartlessly states that he's 'Served his purpose'.  WHAT?  NO HE HASN'T!!! MINOTON!  FIRE!  THAT!  AGENT!  NOW!!!  Anyway, forcing the entrance harmed the structural integrity of the shrine, and when the heroes enter it begins to collapse around their ears with giant ice-cycles falling from the ceiling.  They notice a Sabre-Tooth Tiger encased in ice at the foot of the shrine, and Melanthius comments that it must be a guardian of the temple. 

Some people speculate that the entire climax of 'Eye of the Tiger' is a tribute to the 1935 film adaption of H. Rider Haggard's 'She'.  'She' also features a lost city at the north pole and a Sabre-Toothed Tiger trapped in the ice.  Ray Harryhausen was an avid fan of 'She', and he one of his final projects was the restoration and digital coloration of the classic adventure film. 

Our heroes are attacked by Rafi, but he's bitten by Kassim and breaks his neck falling done the stairs.  Sinbad and Melanthius rush to restore Kassim to his true form while Zenobia morns the death of her son.  She uses one last spell to enact her revenge.  Transferring her consciousness into the body of the Sabre-Tooth Tiger, she breaks free of the ice just as Kassim is restored to his human self.  Fortunately Trog returns to fight the beast.  We FINALLY.  GET.  A.  REAL.  MONSTER.  FIGHT.  Trog is no match for Zenobia, but he sacrifices himself so the others can escape, and Sinbad is able to impale the Tiger using the Minoton's dropped spear.  The film ends with the actual coronation of Prince Kassim, who exchanges meaningful glances with Dione.

And that is 'Sinbad and the Eye of the Tiger'.  Is it as good as the other two installments?  Well, that's obviously a matter of opinion.  Personally I think it fails as an Arabian Nights style Sinbad adventure, but that doesn't make it a bad movie.  It's a solid globetrotting adventure story set inside the Arctic circle, which isn't something you see everyday.  If you're a fan of Pulp adventure stories and swashbucklers, give this a watch.  But if you just came for the monster fights, you may be disappointed.

-Geekboy.

The Golden Voyage of Sinbad (1973)

'The Golden Voyage of Sinbad' is the second installment in a loose trilogy of Sinbad movies produced by Charles H. Schneer with stop motion visual effects by Ray Harryhausen.  I say a loose trilogy because the only thing these movies have in common is the title character, and the fact that they all feature stop motion effects by Ray Harryhausen.  Each movie has a different actor playing Sinbad, each movie has a different love interest, and in each movie Sinbad gets the girl in the end.  So the way I see it there are five options to explain the inconsistency. 

Option #1.  All of these movies are about the same Sinbad, who has a harem.  Recasting the character is acceptable because they made the first movie 15 years prior to this one in 1958. 

Option #2.  Similar to Option #1, but Sinbad goes through a messy divorce in between each film.  This theory explains why Sinbad is constantly searching for lost treasure, because otherwise he has trouble paying that alimony check every month. 

Option #3.  Each movie is set in a parallel universe.

Option #4.  Each movie is a soft reboot of the franchise.  Somebody needs to go back in time and stop this franchise from happening, because apparently Charles H. Schneer and Ray Harryhausen invented the reboot. 

Option #5.  Each movie is set in the same universe, but that universe has three different sailors named Sinbad who go on separate adventures and fight monsters while searching for treasure independently of each other whilst opposed by three different evil sorcerers and winning the hearts of three different fair maidens.  In between movies they go searching for treasure that one of the other Sinbads has already found.  Arriving too late, they shake their collective fists in the general direction of the other Sinbads, who are equally skilled treasure hunters and monster fighters.  I'm sure there's some Sinbad fan-fiction out there where the Kerwin Mathews Sinbad, the John Phillip Law Sinbad, and the Patrick Wayne Sinbad all have to team up and fight Monsters and Sorcerers together (And if not there should be).

The movie starts at sea.  One of Sinbad's men sees a flying creature and he shoots at it with his bow for sport.  While he missed, the creature drops a golden tablet it was carrying.  Sinbad (Played by John Phillip Law) picks up the tablet and sees a surreal vision of treasure, a mysterious figure dressed in black, and a dancing girl with an eye tattooed to her hand.  The first mate is convinced that the tablet is cursed and urges Sinbad to toss it overboard.  Sinbad decides he likes seeing surreal images of dancing girls, so he ignores the council of his first mate.  From the get-go, the first mate is probably my favorite character.  He's the voice of wisdom who everyone ignores.  And he's very deadpan snarky and 'I told you so' about it the whole time.

Sinbad spies a distant figure watching them from the shore.  He decides to swim for it and confront the sinister cloaked figure.  Turns out it's the same cloaked figure from his vision.  He's a sorcerer named Prince Koura, but since he's played by Tom Baker and I grew up with the BBC version of 'The Silver Chair' I choose to call him 'Evil Puddleglum'.  Evil Puddleglum has and impressive skill set with the abilities to control little flying gargoyle creatures and cause statues to come to life, but unfortunately tapping into the dark arts is slowly draining his life forces.  Evil Puddleglum claims that the gold tablet is rightfully his and tries to take it from Sinbad, but Sinbad steals a horse from Evil Puddleglum's henchmen (guess that makes 'our hero' a horse thief as well as a tablet thief), and the two race for the nearby walled city.

The city guards try to capture Evil Puddleglum - even though Sinbad is the one we just saw commit a crime - but Evil Puddleglum uses magic to close the portcullis on the guards and escape.  Sinbad meets a gold mask wearing Grand Vizier who has been at odds with Evil Puddleglum.  Turns out that Evil Puddleglum cast a spell that horribly scarred the Vizier's face whilst trying to acquire the second fragment, which is in the Vizier's possession.  The Sinbad figures out that the tablet is actually a sea chart.  It's a treasure map that leads to the 'Fountain of Destiny' a magic spring that can restore Evil Puddleglum's youth, making him a presumably unstoppable evil.  Unfortunately Evil Puddleglum has sent one of his little gargoyles to spy on Sinbad, and he learns where they're going next, setting up a traditional 'Race to the Treasure' type movie.

Sinbad and company are about to set sail when a rich merchant offers Sinbad a deal.  He wants Sinbad to take his useless lay-about son to make a real man out of him as a sailor.  Sinbad refuses, even as the merchant offers him more and more gold to take the boy off his hands.  Finally the merchant offers Sinbad one of his slave girls, Margiana, in addition to the gold.  It just so happens that she's the dancing girl with the eye tattoo from Sinbad's vision.  Intrigued, Sinbad agrees to the deal. 
 
Personally I find the Merchant's son to be really annoying for most of the movie, as he's mostly just used as a punchline to jokes that may or may not be funny, but he does become a legit member of the crew by the end of the story, and plays a crucial role in at least one of the monster fights.

Our heroes set out to sea, but soon discover that Evil Puddleglum is following close behind.  They loose him in a patch of fog, but Evil Puddleglum uses magic to animate the ship's figurehead - giving us our first real monster fight - and uses it to steal the chart showing Sinbad's course.  Fortunately Sinbad has a photographic memory and they proceed as if nothing had happened.  They arrive at the island of the 'Oracle of all knowledge' who can give them the clue to the third and final fragment of the tablet.  By the way, the Oracle looks a bit like a cross between the floating green head from 'The Wizard of Oz' and the German folktale creature 'Krampus'.

The Oracle speaks only in riddles and Evil Puddleglum arrives just in time to overhear the clue.  He also blows up the entrance to the temple, temporarily burying our heroes alive.  I'm not sure I understand Evil Puddleglum's evil plan at this point, as he needs all three fragments of the tablet to find the Fountain of Destiny and he's just buried two of them under all that rubble.  But our heroes mange to escape through a hole in the ceiling as Sinbad taps into his inner MacGyver, using a lamp stand, turban cloth, and a bow to make a makeshift grappling hook.

But Evil Puddleglum arrives at the location of the third tablet first.  He's capture by green skinned (...???) natives who try to sacrifice him to a statue of Kali.  But he uses his powers to make the statue come to life, and now the natives worship him.  When Sinbad and company arrive he uses Kali to fight them off while he searches for the final tablet.  This scene is not only one of the most impressive stop motion sequences of Ray Harryhausen's career, it's probably one of the best sword-fights in movie history.  First Sinbad fights the six armed statue on his own, but as the creature proves too strong for him his crew-mates join in.  So we have multiple fighters barely holding their own against this six armed opponent.  The movie is definitely worth watching for this scene alone.

Eventually our heroes overcome the stone monstrosity, and discover that the third part of the tablet was hidden inside.  But Evil Puddleglum returns with his army of natives and says that our heroes must die as they destroyed the image of the native's goddess.  'Now excuse me while I find that fountain...' he cackles as our heroes are on a literal chopping block...

But Margiana, who really hasn't had much to do until this point, raises her hands to stop the sacrifice.  The natives catch an eyeful of the eye tattooed on her hand and decide SHE'S the one they should be sacrificing.  So they drop her in a pit where she's taken off 'King Kong' style by a one eyed centaur.  Centaurclops?  Cycentaur?  Something like that.  One really cool effect is how they show us things from the Centaurclops' point of view, and the camera switches to this fish-eye effect.  It's a fun detail I don't think everyone would have thought of.

So our heroes escape from the natives, using the Vizier's hideously scarred face as a distraction, and follow Margiana into the pit rather than stop Evil Puddleglum from finding the Fountain of Destiny.  Margiana calls Sinbad out on this when he saves her.  'You came after me?  And let Koura have the prize?'  'No. Not the Prize.'  Although Sinbad's romantic chemistry with Margiana has been rather lacking up until this point, the delivery here is actually really sweet.

So they rush to stop Evil Puddleglum, but after a fight between the Centaurclops and a Griffin that comes out of nowhere, they discover they are too late to stop evil Puddleglum.  He's gained eternal youth, and the power to make himself invisible.  This movie is filled with pretty good special effects for the time, but invisibility isn't one of them.  It's like they took an eraser and slowly removed parts of Tom Baker from the frame until a poorly superimposed floating sword is all that's left.  As far as invisibility effects from the 70's go, I think Wonder Woman's invisible plane is more convincing.  This is particularly depressing as it's following that awesome fight with the six armed statue.

Anyway, Sinbad defeats Evil Puddleglum, and they use the magic of the fountain to heal the Grand Vizier's face.  They all sail off into the sunset, and the merchant's son has proven himself as a true sailor, although they use him for one last unfunny punchline before the credits role.

And that's 'The Golden Voyage of Sinbad'.  It's a fun little adventure movie and most of the special effects that hold up pretty well, and those that don't have a retro charm to them.  If you check you brain and don't mind the occasional plot hole, you should have fun with this one.

-Geekboy

King Kong (Part 2)

Well, here we go, I've watched the 1976 King Kong. I'm afraid this won't be the most favorable review ever.

This movie is set in the "Present Day" (the seventies)
Instead of a film crew out trying to shoot a jungle picture, the story starts with an oil tycoon out to strike black gold on a newly discovered uncharted isle. The hero, Jack Prescott, is a paleontologist who stows away on the departing tycoon's ship hoping the legends he's heard about an ancient civilization and giant monsters may be true.

The cast is joined by a shipwrecked wannabe actress Dwan. ("Y'know, it's like Dawn, but with two of the letters switched!") She's a dumb blond. Not quite blond enough to be funny, just blond enough to be annoying.

So they land on the island, Dwan gets sacrificed to Kong, Blah blah blah.

Kong looks and moves like a guy in a gorilla suit. In classic jungle movies and serials, when they put a guy in a gorilla suit, he at least tries to move like a gorilla.

If you were expecting skull island to be inhabited with a ton of monsters, you'll be disappointed this time around. All you get is a blink-and-you-miss-it fight between Kong and a giant snake.

While this is going on, the executives discover the island is a bust as far as oil is concerned, and they decide to head home, taking Kong with them as an advertising gimmick.

Jack had potential in the beginning, but he was all okay with the native rituals and sacrifices until
he found out Dwan was the one being sacrificed. And then as soon as Kong starts stomping New York he's saying "You can't kill him! He's an endangered species!"

They didn't even get the ending right. Helicopters shoot King Kong off the top of the World Trade Center!

While I did enjoy parts of the movie, I was just bored by the end. Perhaps it would have been better if it was about half an hour shorter...

Well those are my thoughts.
See you next time.