Showing posts with label Superman. Show all posts
Showing posts with label Superman. Show all posts

Wednesday, January 18, 2017

On the 'No Kill' Superhero policy...


A hot button topic in modern superhero movies - particularly DC movies directed by Zack Snyder - is the 'No kill' policy: that idea that certain characters draw a moral line in the sand that they will never under any circumstances cross.

In general I prefer stories in which the protagonist isn't a cold blooded killer.  That said, I enjoy mindless action pictures like James Bond and Indiana Jones.  That type of movie tends to have a high body count.  So I don't tend to loose my mind if an action movie has a bit of carnage and the protagonist is the one responsible.

The 2013 film 'Man of Steel' is quite controversial largely due to the fact that Superman - all American boy-scout - is shown to take a life.  And from hearing disillusioned fans talk about it, they made it sound like a straight up act of murder.  Superman taking out General Zod the way he did is an inexcusable act.  But when I saw the movie for myself I had to ask: did I even watch the same movie as these fans?  Yes, Supes snapped Zod's neck like it was a twig.  He did it to save a bunch of kids.  No, it wasn't a decision he was happy with.  Yes, it was the only option in that scenario, other than to 'just let people die' when there was something he could do to prevent it.

Fast-forward to 2016.  'Batman v Superman: Dawn of Justice' is in theaters, and audience response is mixed at best.  One significant complaint is that Zack Snyder's interpretation of Batman doesn't have a no kill policy.  In the months since the movie's release this has become one of the first things to come up when people state there reasons for hating the movie.  Personally, I didn't even notice that Batman killed anyone.  It wasn't until watching compilation videos such as this one that it became evident to me that, yeah, Batman is responsible for a good bit of carnage in downtown Metropolis.  However, I'm not quite sure why this is the one thing fans fixated on?

Granted, Batman's no kill policy in the comics is pretty much the only reason Joker is still alive.  There are fans who think that it's inconsistent to have Joker - who has murdered one of the Robins in this continuity - running around Gotham and have Batman be ready and willing to take out Superman 'If there's even a 1% chance' that he's a threat.  There's much more than a 1% chance that Joker is a threat.

However, the 'Batman never kills rule' has never been a set rule in the movies.  Particularly not in the Tim Burton movies.  Even in the climax of Christopher Nolan's 'Batman Begins' there's that bit between Batman and Ra's al Ghul - 'I won't kill you...But I don't have to save you!'  Morally speaking having the ability to save an individual's life, but standing back and allowing them to die...well at the very least it's obeying the letter of the law rather than the spirit.


But lets take a look at the MCU for a sec.  The fun loving kid friendly Marvel movies.  In the context of the movies, does it make sense for The Avengers to have a no kill policy?  ...Not really?  And they don't seem to.  Let's take a look at Captain America.  He is by definition a Super-Soldier.  From WW2.  He's seen action.  In 'The First Avenger' you see him chuck a live grenade down the open hatch of an occupied tank.  He also casually tosses Hydra agents out of an airplane.  Cap doesn't seem to have a no kill policy, and in the context of a soldier in an action movie, he probably shouldn't.

Thor.  Thor is basically Conan the Barbarian, but with a bigger vocabulary.  He's a mighty warrior.  True, usually when he does battle it's with Frost Giants or some other mythic entity, but these are still sentient beings, right?

Iron Man.  Let's see,  Tony Stark starts out his heroic journey as the head of a weapons manufacturing company.  Series villains Obadiah Stain, Whiplash, and Aldrich Killian all fail to live through the climaxes of their respective movies.


Black Widow.  She's an ex-assassin and a super-spy.  Need I say more?

Back to BvS:  It looks like most of the times Batman 'kills' it's usually more public endangerment and property damage rather than intentional homicide.  A car chase in a James Bond movie would have the same type of body count.  Ol' Bats should probably have his drivers license revoked.  The other main 'Batman is a murderer!' scene is the one where Batman is beating up Lex Luthor's thugs in a warehouse.  And while this fight scene is rather brutal, how is it different than Captain America or Thor on the battlefield?

It's fine with me if you don't like Batman v Superman.  I jut wish people would either say that they don't like it because they just don't like it, or give a better thought out reason than 'Batman doesn't kill people!'  I feel like the superhero 'no kill policy' is an odd thing to fixate on in a summer blockbuster style action movie.

One of the best on-screen adaptions of the superhero no kill policy is the Netflix Daredevil series.  And the reason it works is that the no kill policy is highlighted and shown to be a big deal.  It's a major issue that Matt Murdock is wrestling with.  It's a line that he comes dangerously close to crossing multiple times over the course of the first season.  Because of this the last couple of episodes are really intense because you are aware that Matt is capable of killing and at this point you really really don't want him to.  And this is the way it should be done.  If you are going to bother with a no kill policy you should have something to say with it.  Otherwise what's the point? 

The no kill policy isn't something that is addressed in most of the Marvel movies because that's not the story they're trying to tell.  I personally don't think it's the story Zack Snyder was trying to tell in BvS either.

-Geekboy.

Monday, August 29, 2016

Why You Should Read: The Tick


The Tick.  A character created by a by young Ben Edlund, a fan of superhero comics during the 1980s, which was one of the most influential decades for superhero comics.

The 80s gave us creators like Frank Miller and Allan Moore, who pushed the envelope of what was and wasn't acceptable to depict in comics.  These individuals thumbed their noses at the Comics Code Authority and all the regulations that made sure comics stayed squeaky clean and kid friendly.  So much of what is going on in comics and superhero movies now is a result of the 80s.

Early issues of Ben Edlund's original run of 'The Tick' walk a line between affectionate parody that outright mockery of the darker and edgier comics of the time.  At one point the Tick declares: "I'm a SUPERHERO!  I don't want to STOP crime!  I just want to FIGHT it!"  These were funny and relevant when they were written, and in a post Christopher Nolan society where people are still throwing around buzzwords like 'Grounded' and 'Gritty' in relation to superheroes 'The Tick' is still as funny and relevant as ever.

The increase of violence and the brooding nature of heroes in superhero comics is parodied.  The Tick spends a lot of time standing on rooftops and narrating his own adventures in third person Film Noir dialog.

"He stands...like some sort of pagan god or deposed tyrant.  Staring out over over the city he's sworn to...to stare out over..."

"Blood covers the city like a big red afghan..."


As a Daredevil fan I particularly enjoy issues #3 through #5:  'Night of a Million Zillion Ninja,' 'A Big Fight' and 'Early Morning of a Million Zillion Ninjas'.  This story arc introduces Oedipus, a thinly veiled Elektra parody.  The Tick joins Oedipus, her old guy mentor Shing, and Paul the Samurai in their battle against the incompetent Ninja forces of darkness.  "Ninjas aren't dangerous.  They're more afraid of you than you are of them..."  This story arc also introduces the Tick's sidekick Arthur.


Superman and transparent Superhero disguises are also mocked.  The Tick dons a hypnotic tie over his costume in order to convince the general public that he to is an ordinary citizen rather than a nigh-invincible superhero.

One thing about The Tick, the original issues do have a bit of salty language, so it's not as kid friendly as it may seem.  I picked up a reprint of the first issue on Free Comic Book Day a few years back, and they altered a lot of the dialog to make it appropriate for all ages.  It must have been a little shocking for parents who went out and bought the comic for their kids afterwords.  It's mostly just PG-13 language though, no F-words or anything, but I do feel like it's something you should be warned about.

Probably my favorite thing about The Tick is how quotable it is.  "Speak up Amigo, I can barely hear you over the roar of this yawning abyss!"  It's a bit like 'The Lost Skeleton of Cadavra' or 'Galaxy Quest' for me that way.  There is no wrong time to quote The Tick.

"Spooooooon!"

Thursday, June 2, 2016

Batman Vs. Superman: Dawn of Justice - My initial reaction


I just saw Batman Vs. Superman yesterday evening with friends at our local second run theater.  It was just us guys, because two superheroes punching each other in the face was deemed as too masculine by all the girls that I hang out with.

Did I enjoy the movie?  Overall, yes.  I don't think it deserves the mixed to negative reviews it received.  And I think those negative reviews tainted my movie going experience.  For example, I was informed by everyone on the internet that BVS is a confusing muddled mess.  So every time I was just a little bit confused by what was going on, rather than waiting for the story to make sense as it progressed, I would rush to judgement and say, "I'm confused by this!  The critics were right! This movie is stupid!" Even though about 95% of the time what I found confusing was either explained later, or was something I had forgotten from "Man of Steel" which I haven't watched in well over a year.

You'd think that with all of the movies I love that have flopped at the box office I'd be immune to the opinions of critics by now.  But in the 21st century "group think" is so prevalent.  Good media and bad media are determined by the masses.  Opinion is now absolute fact.  I think if we all lived in a bubble and decided for ourselves what we did and didn't like, we'd get more out of entertainment AND be more rounded individuals.

I don't really know yet if I liked or didn't like BVS.  I would need to see it again, preferably after re-watching "Man of Steel."  But I know what I DID like.

Batman's origin.  There is a school of thought that superhero origins in movies are no longer relevant and just bog the story down.  We all know how Thomas and Martha Wayne were gunned down by a mugger outside a movie theater because you already told us about it in Batman, Batman Forever, Batman Begins, and the TV series Gotham.  But it was so well done here in BVS.  I love the way Zack Snyder weaves the mugging and Bruce's discovery of the Batcave together, all with minimal dialog while the opening credits play.  It's a beautifully done sequence, and it doesn't take any more than 5 minutes.

Batman and Alfred's interaction.  These were some of the best moments in the movie for me.  Alfred's dry humor was spot on perfect.  This is very much a grim-and-gritty-post Christopher Nolan DC comics movie, but most of the laughs this movie got from me were either from Alfred or Perry White.  As you may recall there was a great deal of internet outrage when Ben Affleck of 2003's "Daredevil" was cast as "Batffleck" but he really is terrific as Batman.  What was that I was saying earlier about popular opinion not always being right?

Wonder Woman.  I really didn't expect Diana Prince/Wonder Woman to be as cool as she was, but she has a mysterious bad girl quality in her introduction, and great action sequences in the climax.  Some people in my gang thought she hogged the spotlight too much in the climax, but if you put Wonder Woman it your movie, you do need to use her.

Lex Luthor.  The Lex of BVS is another polarizing element of this movie.  Yes, he is an obnoxious little twerp.  Some fans resent the fact that this movie turned Superman's nemesis into a twerp.  But twerpy as he may be, he is also truly menacing, and a diabolical chess-master.

Visuals/Action.  This is a no-brainer.  It's a Zack Snyder movie.  Awesome stylized visuals and great action sequences are a big part of why you watch.  Going in I knew that even if the movie was a train-wreck, it would be a truly spectacular train-wreck.

What didn't I like?

The surreal dream sequences.  Particularly that middle one, where Post Apocalyptic Batman fights Post Apocalyptic Superman in the Post Apocalypse.  This entire sequence is too long and, as near as I can tell, rather pointless.  It seems like Zack Snyder was trying to repeat "Suckerpunch" in this scene.  Now I for one like Suckerpuch.  It's in my top 10 really weird artsy movies.  But BVS isn't Suckerpunch.  It's Batman Vs. Superman.

(Spoiler Alert) WORSE than this dream sequence is the Flash cameo.  Time traveling Flash from the future pops out of Bruce Wayne's computer screen to warn Bruce about future stuff stating "Lois Lane is the Key!" and, when Bruce is just as confused as the audience, Flash states that he "Was too soon."  So.  Is this about the climax of this movie, in which Lois does play a role?  Or is it about the upcoming Justice League movie?  Because Flash wasn't in the climax of this movie, and shouldn't have known how Lois would be involved---!

So, I don't think BVS is a perfect movie, but it is an enjoyable movie if you have the intention of enjoying it going in.  Few movies are perfect.  Don't let that stop you from watching them and forming your own opinions about them.  Because if you just listen to the critics all the time you could miss a few gems.  I know I almost did.