Showing posts with label Spiderman. Show all posts
Showing posts with label Spiderman. Show all posts

Monday, June 20, 2016

On Daredevil...



"This Daredevil guy is awesome.  He's like Marvel's version of Batman!"  I've said this early on in my days as a Daredevil fan, and I'm not the first to make that comparison.  Some may even go as far as to say Daredevil is a cheap Batman knock-off!  But is this a fair accusation?  Let's take a look at some of the similarities AND differences between ol' Hornhead and the Caped Crusader.

Some background: I'm a huge fan of the Jeph Loeb and Tim Sale graphic novels, particularly their Batman work (Batman: The Long Halloween - Batman: Dark Victory) and the Color Series (Daredevil: Yellow - Spiderman: Blue - Hulk: Gray - Captain America: White) over at Marvel.  Daredevil: Yellow was my first encounter with the character.  It was a fantastic book.  Sad, funny, nostalgic, and it somehow managed to make me care about boxing.  I've never cared about boxing!  Anytime a book can convince you to be passionate about something you ordinarily couldn't care less about?  That's good writing.  After that I decided to check out the 2003 movie that everyone hates now.  I really enjoyed it at the time, and still do today as a guilty pleasure.  It's not necessarily a completely faithful adaption, but it's a fun movie, and easier to re-watch than those Fantastic Four movies they made back in the day.  It was after this that I started reading Frank Miller's Daredevil run.

We can thank Frank Miller for all of those comparisons between Batman and Daredevil.  Miller helped  reshape and redefine both characters for the generations to come back in the 80's.  Christopher Nolan's Dark Night trilogy is heavily inspired by Miller's 'Batman: Year One' as well as Jeph Loeb and Tim Sale's 'Batman: The Long Halloween' which was intended to be a direct continuation of 'Year One'.

Before Frank Miller came along, Daredevil more closely resembled Spiderman than the Dark Knight.  Let's take a look at their origin stories:  A young man gains superpowers because of an encounter with a radioactive substance: in one case a spider bite, in the other a mysterious cylinder that strikes him across the eyes.  That young man receives a great personal loss: the tragic death of a father figure.  He dons a colorful costume in order to bring justice to those responsible.  Afterwards, he begins the double life Superhero, swinging around rooftops with either his grappling-hook-billy-club combo, or using spider-webbing.

So what did Frank Miller bring to the table?

Mobsters:  Miller brought in a minor Spiderman villain, 'The Kingpin of Crime,' and turned him into Daredevil's nemesis.  It the early days ol' Hornhead fought the occasional gangster - 'The Fixer' and 'The Owl' come to mind, but Frank Miller turned it into a full time gig.  'Batman: Year One' also deals with organized crime in the form of Carmine 'The Roman' Falcone, and the Falcone crime family can be found throughout 'Batman: The Long Haloween' and it's sequel 'Batman: Dark Victory'.

Ninjas:  Frank Miller did his best to turn Daredevil into a Kung Fu movie.  The Hand, DD's mentor Stick, his crazy ex girlfriend Elektra, ect. ect.  'Batman: Year One' introduces us to a Bruce Wayne who has just returned from the far east where he has mastered the secrets of Kung Fu so he could fight corruption in Gotham city.

Femme Fatale Girlfriends:  Catwoman and Elektra.  Something about both of these heroes is that they are both into bad girls.  This here is Film Noir influence.  Frank Miller didn't create Catwoman, and frankly I'm not crazy about his take on the character in 'Year One'.  But he introduced the ninja assassin Elektra in the very first issue of Daredevil that he wrote solo.  There's something about having a love interest who operates on the other side of the law that gives our brooding hero one more thing to brood over.

So.  Are Batman and Daredevil basically interchangeable?  Yes, but also no.

Multi-Millionaire vs Every-man.  Daredevil is a little more relate-able than Batman because he has a day job.  And with that day job comes the supporting cast of a day job.  Who is Matt Murdock's best friend?  His business partner Foggy Nelson.  Who are Bruce Wayne's best friends?  His butler and his kid sidekick.  I don't have a butler for a best friend.  Suddenly I can no longer relate to Batman!  Okay, that's a little extreme.  Bruce Wayne's best friends are his surrogate family, and I can totally relate to that.

But let's get back to that day job thing.  This is important.  This is why Daredevil is just about my favorite Superhero.  Matt Murdock is a lawyer by day and a vigilante Superhero by night.  Think about that for a minute.  Daredevil is basically fighting crime 24/7.  Matt Murdock is wholeheartedly devoted to bringing criminals to justice.  I challenge you to find another Superhero who is that dedicated to doing what they do.  On the flip side, Bruce Wayne sits around Wayne Manor brooding by day, and doing the vigilante stuff at night.  Fighting for justice is more like a part time job for Batman.

So, there you have it.  As near as I can tell, those are the key similarities and differences between Batman and Daredevil.  Feel free to tell me about your favorite Superhero in the comments.

Monday, June 13, 2016

Thoughts on Heroic Sacrifice



"Have you ever seen 'Pacific Rim?'" a friend of mine asked.  "Yeah," I answered. "Good movie, but it would have been better if the hero died in the end."  I'm given a strange look, and am left wandering if I sprouted an extra head.

(This post may contain spoilers for Pacific Rim, Spiderman 2, Cowboys and Aliens, and Suckerpunch)

In the climax of Pacific Rim, our hero pilots a disabled self-destructing mech into a portal to another dimension in the bottom of the ocean.  He sent his unconscious co-pilot girlfriend back to the surface in an escape pod, and we are led to believe that he is about to go down with his ship.  At this point in the movie, I actually started to believe that our hero might not live through the story, and that's something that rarely happens.  So, when he takes a second escape pod to the surface in the ta-da nick of time, I was pretty disappointed.  If he had died, it would have been a beautiful self sacrificing moment.  Dying to save not only the love of his life, but the world as we know it.  And as the hero had lost so much over the course of the story, for example the twin brother with whom he shared a telepathic link, loosing his life felt like a satisfactory end to his story arc.

Willingness to sacrifice ones self for others is a key part of the definition of a hero.  However, that sacrifice doesn't always have to be the protagonist's life.  Take 'Star Wars: The Empire Strikes Back' for example.  Han Solo spends the entire movie putting his own needs - paying off Jabba the Hutt - to the wayside in order to ensure Princess Leia's safety.

Another good example is Peter Parker in Sam Raimi's Spiderman Trilogy.  In the first movie, Peter scarifies the possibility of a future relationship with Mary Jane Watson because his secret life as Spiderman could put her life in jeopardy time and time again.  In Spiderman 2 Peter gives up the happiness of a normal life to put on the Spiderman suit again because he knows it's the right thing to do.  Spiderman 2 has a powerful line of repeated dialog that rivals "With great power comes great responsibility."  The gist of it is this: "Sometimes to do what is right we must give up what we want most; Even our dreams."  Peter isn't the only one who gets a heroic sacrifice in this story though.  The villain Doc Ock conquers his inner demons and saves New York City, atoning for his wrongdoing while giving up his life and scientific ambitions.


So, heroic sacrifice doesn't HAVE to be a character's life, but it CAN be.
In the criminally underrated movie 'Cowboys and Aliens' our heroine, Ella, is an alien who's race have been pretty much been wiped out by the same marauding aliens invading Earth.  To ensure that no other planets will be ravaged like her own had been, she makes her way to the heart of the Mothership and blows it, the invading aliens, and herself sky high.

Themes of self sacrifice can be found all throughout Zach Snyder's 2011 film Suckerpunch.  There are parallels between the lives of 3 of the characters: Babydoll, who after a failed attempt to protect her sister from an abusive stepfather is thrown into an insane asylum to keep her quiet.  Sweet Pea is equally protective of her younger sister Rocket.  In a scene that parallels the abuse scene in the beginning, Babydoll comes to Rocket's aid when she is slapped around by an abusive cook.  After this Babydoll and Sweet Pea form a bond, because they are both looking out for Rocket, who is a sister to Sweet Pea and like a sister to Baby Doll.

They, and a handful of other inmates, attempt escape the asylum, and to do so have to fight through several visually spectacular dream sequences.  Several of the girls are killed along the way, including Rocket, who dies to save her big sister Sweet Pea.  In the end only Sweet Pea and Babydoll remain.  Babydoll realizes that the only way either of them can escape is if one of them distracts the guards and is recaptured.  She doesn't even hesitate.

In the beginning of the story Babydoll's abusive stepfather bribes an orderly at the asylum to forge an order to have Babydoll lobotomized so she couldn't testify against him.  In the end of the movie Babydoll allows herself to be lobotomized.  Afterwards the doctors discover that there was a mistake, and root out the cause of the injustice.  The villains of the story fall into their own trap, all because of Babydoll's sacrifice, ending the story on a beautiful bittersweet note.

I think if you want to make your hero stand out, a little selflessness goes a long way.  A heroic sacrifice of some kind might be the way to go.